Thursday, January 27, 2022

HTML helper & © blurb

How to make things bold.  My fun, hodge-podge blog, Spot Those Turns where I keep surveys and questionnaire's and other cool stuff.  My main blog is Catholic Notebook. It is my home on the web.  My business website is The Best Nest. We converted our home-style blog into a marketing and communication tool for The Best Nest.  The Go-Daddy URL is a bit different:  TheBestNestinSpring.com Here is the hyper-link to The Best Nest using that address.  space  Father Longenecker has a great post that dovetails nicely with this one!


No copyright infringement intended. All posts are fully cited for source and author. I have provided links back to the original source whenever possible. This information is for my personal, Faith Formation, Confirmation class, OCIC and homeschool referencing.
I am so very grateful to the authors, website and blog owners for sharing this information, commentary, and knowledge.


  

In a vision, the Lord showed St. John Bosco the dangers threatening the Church. He saw the Church, Ship of Peter, surrounded by a loyal flotilla, locked in mortal combat with superior forces which repeatedly brought it to the edge of annihilation. At a crucial moment, the Holy Father fell mortally wounded. The enemy, sensing victory, closed in for the kill.  Suddenly two columns surged from the depths of the ocean. One was surmounted by a monstrance holding the Blessed Sacrament - "Salvation of Believers;" the other by a statue of Mary Immaculate – "The Help of Christians."  The sight of the columns and the election of a new Pope caused the enemy to unleash a last blistering attack to prevent the Pontiff from anchoring the Church between the two pillars. The assailant's plan failed, and their attack turned into a rout and total disaster.  The Pope and his faithful defenders found safety anchored between the two columns. The winds subsided and the sea grew calm. The victory was complete.  St. John Bosco assures us that when the Church is battered by enemies from within or from without, salvation can only come from JESUS IN THE EUCHARIST, MARY, THE HELP OF CHRISTIANS, and THE POPE, the Vicar of Christ on earth.   The dreams/visions of St. John Bosco are published in the book DON BOSCO'S DREAMS, Salesiana Publishers, 148 Main Street, New Rochelle, NY 10801 ($9.90)

Wednesday, October 30, 2019

Contemplating Grammar - Andrew Pudewa


It seems that the pattern of the Trinity permeates creation:
body, mind, soul; harmony, melody, rhythm; truth, goodness, beauty; ethos, pathos, logos.
The illustrations could continue. Therefore it should not surprise us that the thing called
“grammar” can also be understood in three parts—integrated and organically connected but in
three aspects, which when understood individually, strengthen our understanding of the whole. 

I first began thinking about the question of grammar more than ten years ago, when I met a
professional author—a man who had for decades earned his daily bread by writing.
We were working together on a project, and he mentioned to me, somewhat casually,
“I don’t know any grammar.” Though he was being candid, I was surprised and even confused.
How was it that a professional writer didn’t know much grammar? And the obvious extrapolation
was this: if it’s not necessary to know grammar to write well, why do we pile year after year of
grammar workbooks on our children? Are we missing something here?

Around that same time, I came to realize a very interesting thing about people and writing skills:
there’s a clear correlation between confidence and ability as an adult, how much the person was
read to (out loud) as a child, and how much poetry and/ or Scripture he or she had memorized.
Writing ability in later life is almost always directly connected with how much language has entered
the brain through the ear in early life. This caused me to formulate some basic principles of
nurturing competent communicators, which I have explained in another article,
“One Myth and Two Truths,” available at IEW.com/articles (or on p. 167 of this e-book).
However, I continued to contemplate the idea of grammar. What is it? How do we learn it?
Is it important? These questions led me to formulate a tripartite view of grammar, which I am
happy to share with you now, especially as we head into convention season when many
curriculum choices are made. So let me propose that there are three aspects of the grammar of a
language: inherent (or inherited) grammar, applied grammar, and formal (or analytical) grammar.

INHERENT GRAMMAR 
INHERENT GRAMMAR is by far the most important to good writing and in a way the easiest to
teach. This is our language as we know it. If I say to you, “Me go to the store,” you know this is
wrong. You may not know exactly why, nor could you explain why it’s wrong, but you know it is
incorrect because of the database of correct English you carry around in your brain.
Generally it is “inherited” from our parents, which underscores the extreme importance of correct
language in the environment (and the perilous consequences of a deficient or incorrect language
environment). If we speak and write correctly, it’s probably not because we studied years of
grammar; it’s probably because we heard our parents and teachers speaking correctly and reading
good books to us during our early years. This creates our database of language patterns and forms
our inherent or instinctive grammar. We know right expression from wrong expression because we
subconsciously and instantaneously compare it against the database of correct language stored in the brain.


APPLIED GRAMMAR
The next aspect of grammar we often encounter is what I would call APPLIED GRAMMAR .
This is the grammar we use to fix stuff. We hear, “Me go to the store,” and we know it’s wrong, and
we know how to fix it: “I will go to the store.” Again, we don’t know why it’s wrong or how we
fixed it; we just know that one is wrong and the other is correct. This aspect of grammar
knowledge develops in tandem with inherent grammar and can be practiced intentionally with
various editing skills programs. 

"If we speak and write correctly, it’s probably not because we studied years of grammar “ 


ANALYTICAL GRAMMAR
The third aspect of the thing called grammar is what might be called formal or ANALYTICAL
GRAMMAR. This consists of knowing “what those things are called” and “what are the rules
governing their behavior.” This consists This is the type of grammar practice we often find in
grammar or language arts workbooks. And what’s so ironic is that this is the least relevant
(and therefore hardest to teach) part of grammar, at least to a native speaker of the language.
When you say to a young English-speaking child, “You have to learn English grammar,” it’s a bit
like saying: “Son, sit down. I need to explain to you how you ride a bike.” The child, of course,
knows how to ride a bike and says, “Dad, I know how to ride a bike.” But the father responds:
“Yes, you do. But you don’t know how you do it—you need to know all the biology and physics that
make bike riding possible!” The child, of course, is thinking (or saying): “Ummm, can I just go ride
my bike? What’s the point?” So when we try to explain to a child how to use English
— something he already does perfectly or at least believes he does—the relevancy is low.
Consequently, learning it is difficult.

"When you study a language you don’t already know,
that’s when you need to know what those things are called and what the rules that govern their behavior are . . . “ 


Now I’m not saying we shouldn’t teach formal grammar, but what I would suggest is that it’s most
easily learned by studying a foreign language because, when you study a language you don’t
already know, that’s when you need to know what those things are called and what the rules that
govern their behavior are. When I meet a student who actually knows a bit of formal grammar
(“That’s an infinitive!”), and I ask him where he learned it, the answer is never
“From my _________ _________ Grammar Program.” It’s always “From Latin” or “From French.”
I meet countless adults who will say something like “I never understood English grammar till I took
German in college.” It makes so much sense. So, my approach to grammar is this: Don’t worry
much about formal grammar in the elementary grades; teach writing and mechanics as needs
arise, read out loud in huge quantity to your children, and have them memorize a lot of poetry,
Scripture, and speeches. Build their inherent grammar, because that’s by far the most important
thing. As they get a bit older, introduce some editing practice materials; several options are
available. (My favorite is the one we publish: Fix-It! Grammar.) Study formal grammar later
(middle or high school age), preferably within the context of a foreign language (and Latin is the
best!). And if by tenth grade or so you perceive a weakness in your student’s understanding of
grammar, then maybe pick up an analytical grammar program to fill in the gaps, even while
realizing it’s not the most vital thing you’re doing.

Don’t worry much about formal grammar . . . ;
teach writing and mechanics as needs arise, read out loud in huge quantity to your children,
and have “ them memorize a lot of poetry, Scripture, and speeches . . . “

Grammar is important. Language should be precise. We must teach it well.
However, let us not be confused or distracted by feeling a need to teach formal grammar too soon
to children who are too young. First build the database of language patterns (inherent grammar),
practice applying that database to writing and editing (applied grammar), and finally study formal
grammar by learning Latin. By these means we will nurture excellent writers who can effectively
self-edit and even know what they’re doing and how they do it.


Wednesday, December 12, 2018

The Overnight Student

I am excited about a book that I just learned about. It is called, The Overnight Student.
I am told that the essence of the book's message is "teach out loud." 

"Your mind works differently when you read something with the intention of teaching it to someone else." (p.25)

1) Read a bite-size portion of your notes
2) Don't touch your notes
3) Look away from your notes
4) Teach out loud - use your own words and examples
5) Refer to notes until you can teach that portion 3x from memory
6) Select next bite-size portion
7) R// (Repeat)


These key points make perfect sense to me. In our tutoring center, in my private classes, and during our many years of homeschooling, turning the tables on the student has been one of our best teaching tools.


I have encouraged my students to become the teacher - not just in a mock teaching scenario - but in real life. My son, who is in college, creates classes in order to share his knowledge AND to reinforce the lessons and information he is receiving in current University classes. 


One 
CLEP test subject that he is studying for right now is educational psychology.  Teaching the information to an enthusiastic group of middle schoolers keeps him on his toes. Of course, he simplifies it for them, but it solidifies the information in his head. 


He and I are both teaching Abacus math AS we learn it. We need only stay ahead of the class! It is a powerful motivator.


http://www.aaronmcloughlin.com/wp-content/uploads/2018/04/The-Overnight-Student-By-Dr.-Michael-L.-Jones-.pdf

Saturday, June 23, 2018

Language Arts - Charlotte Mason

Reading and the use of Living Books

A living book is a book that engages the mind, inspires the imagination and delights the heart. Whether fiction or non-fiction, a living book makes a topic come alive. Whenever possible Charlotte Mason encouraged the use of living books in the place of textbooks. “From their earliest days they should get the habit of reading literature which they should take hold of for themselves, much or little, in their own way.” (PE pg. 191) First-hand exposure to great and noble ideas through books is the surest way to a living education.
The habit of reading should begin early, and as soon as he can read at all, the child should read for himself, and to himself, history, legends, fairy tales, and more. The child should be trained from the very beginning to think that one reading of any lesson is enough to enable him to narrate what he has read. In this way he will get into the habit of slow, careful reading, “intelligent even when it is silent, because he reads with an eye to the full meaning of every clause.” 
Miss Mason laments; “The most common and the monstrous defect in the education of the day is that children fail to acquire the habit of reading. Knowledge is conveyed to them by lessons and talk, but the studious habit of using books as a means of interest and delight is not acquired.” (HE pg. 227)

Narration

Often called the “cornerstone” of a Charlotte Mason education, narration is certainly a large part of what makes a living education unique. Narration is the process of retelling what has been learned or read. It is a point by point account rather than a word for word retelling. Narrations are begun orally, but as the child grows older and his writing skills improve (approx. age 10 to 12), narrations will be written as well.
Some children will narrate more than others, but don’t consider a short narration a bad narration. The important thing is that the child has grasped the ideas of what he has read or been taught. As the child grows older his narrations will move naturally from the simple retelling type to the more thoughtful essay and composition type. In working with a child’s learning style, narrations can be done in many creative ways such as painting, drawing, building, sculpting, play-acting, etc. Narration is fundamental to a ‘living’ education. It sharpens the mind and fosters the habit of attention and it is the springboard for the discussion and assimilation of ideas, a key component of true learning.

Recitation

Calling it ‘The Children’s Art,’ Charlotte Mason believed that all children have it in them to recite; “it is an imprisoned gift waiting to be delivered.” The child should recite poetry and scripture beautifully, with delicate rendering of each nuance of meaning, so that he “becomes to the listener the interpreter of the author’s thought.” The ideas should kept within the child’s range of understanding so that the expression of it becomes his own. 
I hope that my readers will train their children in the art of recitation; in the coming days, more even than in our own will it behove every educated man and woman to be able to speak effectively in public; and, in learning to recite you learn to speak.” (Home Education pg. 224)

Reading Instruction

Primarily based on sight vocabulary, but including the use and teaching of phonics, reading instruction begins in a very natural and easy form. Even beginning readers, Charlotte Mason taught, ought to have something interesting to read. Nursery rhymes, rather than dull first readers, are preferred making sight words teaching necessary so as to allow the child to read real books as early as possible. Phonics is introduced as needed for decoding.

Transcription (Copywork)

Commonly called copywork, transcription is the child’s earliest practice in writing.  Beginning at the age of seven or eight  the child copies in a slow and neat hand favorite passages of a work of well-written literature. The child should be taught to hold his pen or pencil properly and sit correctly so as to lessen fatigue and strain. “A sense of beauty in their writing should carry them over this stage of their work with pleasure.” (HE pg. 238)  Transcription is also an introduction to spelling.  In this way the child looks at the word, closes his eyes and “sees a picture of it” and then writes it from memory. Miss Mason recommended that no more than ten or fifteen minutes should be given to these early writing lessons.

Spelling and Dictation

Being able to spell well, Charlotte Mason maintained, depends upon the power of the eye to take a detailed picture of a word.  This power and in fact, habit is to be encouraged with the child from the very beginning of reading.  When the child reads the word ‘cup’ he should be taught to ‘see’ the word with his eyes shut.  This habit of ‘imaging’ will enable him to remember the spelling much larger and more difficult words later on.  Dictation as an aid to spelling is done by way of having the child look carefully beforehand at the passage to be dictated, concentrating especially on any words he thinks he may have difficulty with. These words can be written out and studied for a short period before the dictation begins. When he is ready, dictate the passage to him clause by clause, repeating each clause only once.  While you should dictate in a way as to indicate punctuation you should not however actually tell the child the punctuation.

Grammar

Early grammar lessons are simple. Grammar, Charlotte Mason tells us, is a logical study,  dealing with sentences and the places that words occupy in them. The child must first learn what a sentence is before he can learn the parts of speech in a sentence. Simple lessons of noun, verb and subject are all he needs to begin.  Much reading of well written literature can go a long way towards teaching the child proper sentence formation.


Thursday, May 24, 2018

Teaching With the Movies (and example - Boys Town)


      A LEARNING GUIDE TO:
      BOYS TOWN
      SUBJECTS — U.S./1913-1929 & Nebraska; Religions/Christianity; 

      SOCIAL-EMOTIONAL LEARNING — Male Role Model;

      MORAL-ETHICAL EMPHASIS — Caring; Citizenship. Age: 10-12; No MPAA Rating; Drama; 1938; 94 minutes; B & W; Available from Amazon.com.

      Description: This film is a fictionalized account of the life and achievements of Father Flanagan (1886 - 1948), the founder of Boys Town. Since 1917, Boys Town has provided refuge for delinquent and troubled boys (and now girls) of all faiths. 

      Benefits of the Movie: "Boys Town" shows a selfless man whose belief that there is no such thing as a bad boy made a difference in the lives of thousands of troubled young people. It provides an excellent introduction to the perennial debate between those who believe that wayward youth can be helped with education and compassion and those who believe that punishment is the only remedy for delinquent behavior.

      Possible Problems: NONE. 

      Parenting Points: After the movie is finished ask the Quick Discussion Question and talk about what you believe the answer to be. Allow your child to express his or her thoughts on the question. Then discuss any other points in the film that might interest your child.
WORKSHEETS: 
TWM offers the following worksheets to keep students' minds on the movie and direct them to the lessons that can be learned from the film.
Teachers can modify the movie worksheets to fit the needs of each class. 


QUICK DISCUSSION QUESTION:   
Do you agree with Father Flanagan that he never knew a bad boy or do you agree with the people who believe that the best way to handle juvenile delinquents is to punish or incarcerate them? What do you think should be done with juvenile delinquents?  

Suggested Response: There is no one right answer to this question.



Friday, September 29, 2017

A Year of Art Appreciation

HOW TO TALK ABOUT ART WITH YOUR KIDS

Here are some posts from the Art Curator for Kids for tips at looking at art with your kids.

ANCIENT TO CLASSICAL ART


MEDIEVAL AND RENAISSANCE ART


17TH-18TH CENTURY ART


19TH-CENTURY ART


MODERN AND CONTEMPORARY ART


AMERICAN ART


Whew! This is quite a list. It was hard to choose, and I know I left out some great artworks.

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